
8
Stereo Compression
In order to get a rst impression of the sonic quality and the control characteristics of the alpha
compressor, only the controllers highlighted in the gure will be engaged. The functions that are
currently not needed should be deactivated (related LEDs do not glow). Et voilà: We have a classic
linked stereo compressor!
A track with a broad dynamic range is the best material for a rst test. Just start playing with the
Threshold, Attack, Release and Ratio parameters of the left channel in order to get to know the
control behavior of the compressor. Allow yourself to take some time for this, as the understand-
ing of the basic control characteristics is the most important condition for perfect results.
Keep having a look at the Gain reduction meters from time to time. No doubt: the ear is the de-
cisive benchmark. Just consider the optical information as a supporting means to evaluate the
control mode (fast/slow, strong/weak, etc.).
The level of the compressed signals can be made up by adding an appropriate amount of ampli-
cation with the Gain controllers. Since the Link function will only aect the control mode of the
compressor, the Gain controllers of both channels should be set to the same values in Stereo Link
mode. For instant AB comparisons just push the Active button.
Note: If the Threshold controller produces too little Gain reduction when turned hard right or too
much of it when turned hard left, please go to page 28 and see how to adjust the internal Thresh-
old.
Thresh Attack Release Ratio
BASICS - Stereo Compression
Left
Input
Compressor
Sidechain
Gain
Stage
Left
Output
Right
Input
Compressor
Gain
Stage
Right
Output
Transformer
Transformer
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